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 George Abbott documentary

Fear and Favor in the Newsroom





To the public, journalists will do anything for a story - push their way through crowds, bombard officials with hostile questions, even bring down presidents. Fear and Favor . . . shatters this myth by providing an insiders? critique of how corporate press lords constrict the free flow of ideas and information. Interviews with celebrated journalist provide case studies of stories which were spiked and reporters who were demoted or fired at prestigious organizations like the Atlanta Constitution, The New York Times and NBC News. From this intimidation, other journalist quickly learn to practice self- censorship whenever a story may conflict with the interests of their corporate employers. For example, The New York Times pulled Polk award winning reporter Frances Cerra off her beat when she insisted on reporting cost over-runs at the Shoreham nuclear power plant. She concludes: I came to understand that freedom of the press is only guaranteed when you own the press. This is something I learned from The New York Times.? Notes: Introduced by Studs Terkel. Among those interviewed: Wendell Rawls, Jr. [Ex-asst. Managing Editor, Atlanta Constitution], Bill Dedman [Reporter, Constitution], Ben Bagdikian [Dean Emeritus, School of Journalism, UC Berkeley], Jay Smith [former publisher of Atlanta Journal Constitution], Lowell Bergman [producer, CBS 60 Minutes], Richard Cohen [former producer, CBS News], Lawrence Grossman [former president, NBC News], Jon Alpert [former freelance reporter, NBC], Jonathan Kwitny [Ex-reporter, Wall St. Journal], Sydney Schanberg [ex-reporter, New York Times], Frances Cerra, John L. Hess [ex-reporter, New York Times], Peter Graumann [ex-correspondent, MacNeil/Lehrer News Hour], Ralph Nader, Robert Pollard [Union of concerned scientists], Michael Gartner [president, NBC News 1988-93], Sydney son [ex-vice chairman, New York Times, Inc.], Admiral Eugene Carroll [Retired, U. S. Navy]. Director, co-producer, Beth Sanders. Writer, co-producer, Randy Baker. Narrated by Studs Terkel. Music by Todd Boekeheide. Editorial consultant, Gary Weimberg. Director of photography, Fawn Yacker.

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updated Tue. August 13, 2024

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Photo: Ian Fairlee (being lifted), Matt Dengler (left), Jose Luaces (center) and Shavey Brown (right) earn some laughs in a scene from Musicals Tonight!'s production of The Boys From Syracuse, directed by Jonathan Cerullo at the Lion Theatre, for a limited engagement through Feb. 25. Photo courtesy of ...

He rebounded, but when he got his first job, with the famed producer George Abbott, “Everybody liked me, but they also seemed to back off a little when I came into a room.” Mr. Prince's solution? “I took my desk calendar, and I wrote for one year, at the top of it, 'Watch It!' ” he said. “It helped me calm down a ...
Shaped by maverick auteurs like Manoel De Oliveira and Pedro Costa, the Portuguese film tradition has always stood apart from the rest of European cinema ... which feels as though Jean-Luc Godard and Jean-Pierre Gorin's Tout va bien (1972) has been reimagined as Stanley Donen and George Abbott's ...
Former Liberal cabinet minister George Abbott and First Nations Chief Maureen Chapman will review British Columbia's unprecedented 2017 fire and flood seasons, Premier John Horgan announced Monday. “2017 was the worst fire season in recent memory. We also had unprecedented floods this spring ...
Joy Abbott, the widow of George Abbott, noted, "SDC Foundation's continued stewardship of Mr. Abbott's legacy through this award warms the heart. ... Film credits include Titus, starring Anthony Hopkins and Jessica Lange; Frida starring Salma Hayek; Across the Universe, and The Tempest, starring Helen ...
The producer and director Harold Prince is one of Broadway's best-known names. But he never actually wanted to be a producer, to hear him tell it. “I didn't want to be a producer at all,” Prince affirms in the inaugural episode of “Stagecraft,” Variety's new theater podcast featuring in-depth interviews with the ...
Tony Award-winning composer John Kander has a favorite story about Broadway producer and director Harold Prince: In 1965, he and lyricist Fred Ebb were working on a show that Prince produced called Flora, The Red Menace and it was not going well.


 

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